...you and everything...

And when it comes to buying music, for some reason I’m big on research, delaying purchases until I can hit up Wikipedia and sample tracks on iT ...

...you and everything...
Provided By:The Daily Vault

...you and everything...
Golden
Independet release, 2006
REVIEW BY: Melanie Love
ORIGINALLY PUBLISHED: 09/27/2006
I can be kind of compulsive when it comes to my music. My album towers are freakishly neat, organized by artist and then release date of album and then soundtracks...not so weird until, of course, you start to compare that to the rest of my life, which tends to lean more towards cyclone-ravaged instead.
And when it comes to buying music, for some reason I’m big on research, delaying purchases until I can hit up Wikipedia and sample tracks on iTunes. But somehow, Atlanta, Georgia bluesy jam-rockers Golden managed to draw me in at first listen, enough to request a copy of this album, their debut, before even pausing to check out their MySpace.
…you, and everything…starts out on a strong note with “Come Over,” which makes the band’s description of their sound as ‘warm apple pie’ and ‘Christmas joy’ move from strangely specific to spot-on instead. It’s instantly obvious as single material, at first because of how easily listenable vocalist Joshua Golden is: like Adam Levine without being so grating, or an updated incarnation of David Gray. But behind the vocals is some fantastic instrumentation, like the hints of calypso that slip in during the bridge or the sophisticated guitar throughout, leading up to a strong solo break courtesy of electric guitarist Paul Marnell (not to forget the rest of the band: Bob Stepnicka on drums, bassist Schuyler Clark and pianist/organist Jerry Loch, and aforementioned vocalist Golden also handling acoustic guitar and alto sax).
The next few tracks continue along in the same vein, drawing you in with higher-energy material like “Mine,” featuring Golden on sax; “Drive,” the harmonized choruses of which showcasing the band’s melding voices; and the warm blues of “Lies,” with its slowly unfurling guitar solo and engaging lyrics. Everyone I play the album for declares that last track as their favorite, too.

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